THE HOMESMAN
Directed by Tommy Lee Jones
2014
Ms. Hen does not usually like Westerns, and she doesn’t like
Hillary Swank either, but she saw the preview for HOMESMAN, and she was
intrigued. She became interested in the story of the three women in the Nebraska
Territory who went mad after a long, painful winter.
Hillary Swank’s character, the pious, unmarried and
outspoken Mary Bee Cuddy is recruited to escort the women to Iowa to meet with
the wife of a minister who takes care of people with mental illnesses.
The film opens with Cuddy making dinner for her neighbor;
Ms. Hen was pleased the pioneer was making fried chicken. Cuddy asks her
neighbor to marry her because she thinks they would make a good match with
their farms, because she has land and knows how to manage money, but he turns
her down flat because he says she is too plain, and he tells her he plans to go back East to
find a wife.
As Ms. Hen said before, she doesn’t like Hillary Swank, but
she is perfect for this part. She is headstrong and capable of taking charge of
her life and situation. She blackmails George Briggs (Tommy Lee Jones) into
taking the three insane women to Iowa because she feels like she needs a man’s
protection on the journey. She cuts him down from the rope from which he was
hanging that some men did to him after they caught him jumping a claim, taking someone else’s house
while he was away. She tells him she’ll cut him down, but she has a job for
him. She doesn’t tell him what it is until he’s down.
Ms. Hen thought this was a women’s film. Great performances
are given by Swank, and the three women she escorts, Grace Gummer as Arabella
Sours, Miranda Otto as Grace Belknap and Sonja Ritcher as Gro Svendson. Meryl
Streep appears at the end as the minister’s wife in Iowa. Ms. Hen thinks this
is an important film, because the mentally ill are not usually portrayed in
such films as Westerns. But this isn’t a typical Western.
Ms. Hen thought this film wasn’t like a Western because most
seem to be phony, completely unlike what the real Wild West was like. Ms. Hen
doesn’t know what the real West was like, but she knows it wasn’t like BONANZA.
This film seemed like it was similar to what the authentic West: dangerous, but
beautiful, and full of daring people ready to start a new life in a new place.
There were dangers such as Indians, stray settlers, and hostile hoteliers. The
rules were different in the Wild West than they are today, where the law of the
land didn’t exist, and nobody cared what could be enforced, they were out for
themselves to survive and get by day to day.
This film is tragic and sad, but not in an unexpected way.
Women were supposed to want to be like women and Mary Bee Cuddy doesn’t think
she could get married and be like other women. George Biggs redeems himself and
brings music to Mary who loved music and dreamed of a piano before she went on
the journey with the women.
Ms. Hen loved this film because it was different, not
like most Hollywood films. She discovered that it was a French and American
production, and she decided that is why she enjoyed it, since it was French. The quiet power of this film lurks beneath the surface, a story of duty,
longing and sacrifice. Ms Hen
recommends this film, but be prepared for a reflection of reality.
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