Ms. Hen reviews GIGI and THE CAT

Mikki reading THE CAT with Ms. Hen

GIGI and THE CAT

By Colette

1944, 1933

Penguin Books

GIGI translated by Roger Senhouse THE CAT translated by Antonia White

Ms. Hen decided to read this book on a whim, because she had heard of Colette, and wanted to learn more about her writing. She looked up what is considered the best book by the author and found GIGI, along with THE CAT.

Ms. Hen was charmed by GIGI; she thinks the story is sweet, but difficult at the same time. It is about a family of women who do not marry. They have lovers and men who take care of them, but they are not the type to settle down. It’s difficult to discern what the philosophy behind the story is, but Ms. Hen thinks that the grandmother and the aunt and mother don’t want Gigi to get married because they don’t want her to be different from them. They want her to be pleasing to men, and they want her to understand her place in the world.

Ms. Hen thinks that Gigi’s transformation in the story is upsetting. The grandmother wants her to be kept by Gaston, but Gigi doesn’t want to be like the other women in the family. It seems to Ms. Hen that Gigi doesn’t have much say in what she does with her life. She can either get married or be a woman who does not marry. Ms. Hen thinks this is depressing, but she realizes that Gigi lived in different times. She didn’t have the option of getting an education and doing something important with her life or doing anything with her life other than having it revolve around a man, or several men.

Ms. Hen knew that GIGI was also a film from the 1950s, so she decided to watch it after she read the book. The movie made Ms. Hen uncomfortable. In the beginning, a man who is not a character in the story sings a song called, “Thank Heaven for Little Girls,” which Ms. Hen thinks is perverted. Ms. Hen thought the whole film was disgusting, it is an elongated version of the short story, but the difference is in the movie, Gigi actually loves Gaston. In the story Gigi had too much sense to fall for a fool like Gaston, but she knew what was important. Ms. Hen says no to the film, but a hesitant maybe to the story.

Ms. Hen has different ideas about THE CAT. This story is about a young couple, Alain and Camille, who are about to get married and Alain owns a cat named Saha. He loves his cat more than anything, but when he gets married the cat isn’t able to come live with them because they are staying in a small apartment. The cat gets depressed, and stops eating and loses weight because Alain leaves her, so he takes her to the apartment. Camille is jealous of Saha. Ms. Hen can’t imagine a woman being upset because her husband loves a cat. Ms. Hen thinks Camille is envious because she has nothing else to do with her days: she does not work, she doesn’t have any friends, she simply sits at home and waits for Alain to come home so they could spend time together.

Ms. Hen does not think that the story of THE CAT could happen in today’s society because women have better things to do than become jealous over a cat. But it’s an important story because it shows how women’s lives used to be, spending time waiting for a man to come home and hating the cat that shares his affections. Women love cats most of the time because they are delicate and feminine and mysterious like women, and they can be our co-conspirators.

Ms. Hen reads classics because she likes to learn about and be angry at the way the world used to be. These stories are entertaining, but they show a time and place where Ms. Hen does not live, and she’s glad she does not. One of the good things about this book is that it is very short, so reading about the women suffering in these stories does not take too long.

Ms. Hen reviews THE BLUE FLOWER

THE BLUE FLOWER

Penelope Fitzgerald

Mariner Books

1995

Ms. Hen had read about this novel in a couple of different places, and it seemed like something she would like to read, since it is a novel about a real-life writer, the poet known as Novalis who lived in the late eighteenth century Germany. Ms. Hen was immediately enthralled with the style of writing.

Something about the writing in this novel made Ms. Hen think that the author was attempting to copy the language of the era in which the novel takes place. Some of the characters are referred to with a “the” in front of their names, such as “The Bernhard.” The writing seems to drip off the page; it feels as if the reader is right there in Germany in the first chapter on washing day, when all the washing for a year was done. Ms. Hen could imagine how badly everything would smell if everyone only washed their clothes and their linens once a year.

The novel is about Friedrich von Hardenberg, later Novalis, who falls in love with a twelve-year-old girl, Sophie, when he is visiting her family home on business. Everyone around him does not understand his infatuation, because the girl is not up to par with him intellectually. Hardenberg does not inform his father of this for quite some time, and his brother Erasmus is angry about Friedrich’s intentions at first, but comes to love Sophie himself.

Sophie is a child, and has not been educated well, but she is beautiful and simple, and love has no explanation. People are upset about him being engaged to Sophie, including his father’s friend, Just, and his Just’s niece, Karoline, though she would never let Hardenberg know. Hardenberg is afraid his father will disown him if he marries Sophie, but there is nothing his father can do.

Some feminists might be angry about the way women are portrayed in this novel, but the things the characters say are views people held in the past. Some of the notions put forth by both men and women appear so preposterous today, that Ms. Hen had to laugh, if it weren’t so tragic that people used to believe things like this. But this aspect of the novel only served to make the story more believable; the reader gets involved in the age in which the novel took place, like going in a time machine, which quality historical fiction should do.

Even though this story is a tragic tale of love, humor abounds. Ms. Hen couldn’t help but be amused at the absurdity of the situations that these characters put themselves into, even though the comedy is dark. The lovers don’t understand each other, and nobody understand them, but that is the way life is sometimes, but we have to think it's funny at how ridiculous their actions are.

Ms. Hen thinks this novel is unlike any she has read. It is magical and real at the same time. Fairy tale elements exist in the novel, but at the same time, it’s based in reality. The writing is exquisite, like delicate porcelain painted with flowers and trees that Ms. Hen was afraid to drop and smash on the floor, but it is beautiful all the same.

Ms. Hen reviews DALVA

DALVA

Jim Harrison

Dutton/Lawrence

1991

Ms. Hen had never heard of Jim Harrison until he died earlier this year. He isn’t really her cup of tea: she isn’t into fiction about rural areas. She wasn’t sure about him, but one of her rooster friends sent her an interview with Harrison and she thought he said some cool things about writing. She wanted to read one of his novels, and finally got around to reading DALVA. She chose this book because it is about a woman.

Dalva is a woman who has had a lot of bad luck in her life, but she deals with it with her chin held high. Her father died in the Korean War after he survived World War II. Her first love abandons her, and she gets pregnant, then she becomes barren. She travels and has lots of jobs, but her roots are in Western Nebraska. Her family comes from money. She thinks that she has no father, no husband, and no son.

Since Ms. Hen doesn’t like books about the country and country people, she wasn’t sure she would like this. But she did. This book wasn’t boring – it moved along at a fast pace. There were many colorful characters in this novel, from Dalva to her mother, Naomi; her sister, Ruth; Lundquist; Michael. Also the descriptions of the countryside in Nebraska and Arizona are breathtaking. The author went to a lot of depth to describe both the characters and the setting.

Even though Ms. Hen loved this book, there seemed to be too much information at times. The writing was too deep, almost like the author was living in the book that he created. Ms. Hen was a little uncomfortable at the way Dalva was described at some points in the book. She thought that she is described through a man’s eyes, and if a woman wrote this book, she wouldn’t have been seen as such an object. Not that Ms. Hen doesn’t think that the author didn’t like his character, it’s that he sees her as something sexual, and the other male characters do as well. There are other aspects of Dalva which are important, but to the other male characters, she’s just beautiful.

The novel breaks into a different character’s point of view, Michael's, in the middle of the book. Michael is a flawed character, but he brings balance to Dalva’s strength. He is researching the family history through diaries that Dalva’s great-grandfather left behind, who survived the oppression of the Indians in the territories. The great-grandfather’s wife was Sioux, and he was an arborist who planted trees. He was devastated over the way the Americans treated the Indians, and the family has a secret, which Dalva and Michael discover.

Her quest to find the son that she gave up for adoption over twenty years ago causes Dalva a lot of pain. She doesn’t know what he will be like. She suffers because of a mistake she made when she was young. The mistake is bigger than she knows at first.

There is a smattering of chickens in this novel, which made Ms. Hen happy. Ms. Hen didn’t underline the passages, because she read a library book, but the characters were always eating chicken that was freshly plucked.

This novel is a broad sweep of a brush across a canvass. A lot of characters come and go, and are so richly drawn, Ms. Hen felt like she knew them, even though she hasn’t spent much time in rural areas. Ms. Hen felt sorry for Dalva, but she knew Dalva would survive, because that’s her nature.

Ms. Hen reviews WHAT DOES IT MEAN TO BE WHITE IN AMERICA?

WHAT DOES IT MEAN TO BE WHITE IN AMERICA? BREAKING THE CODE OF SILENCE: A COLLECTION OF PERSONAL NARRATIVES

Edited by Gabrielle David and Sean Frederick Forbes

2Leaf Press

2016

One of Ms. Hen’s hen friends lent this anthology to her because she wanted Ms. Hen to write a review of it. It is a very large book, but the woman wrote a list of what she thought were the most important essays in the book. Ms. Hen read them, and they made her think about the world and how America has gotten to this point in time.

This anthology is a collection of personal essays, all by white people, except one, about racism, and race in America. Some people might think that white people have nothing to say about race and being white in America, but these essays have varied opinions. Some of the essays made Ms. Hen angry to think that people could believe that if minorities simply worked harder, they could get ahead, such as in “What It Means to be White,” by Darci Halstead Garcia. Society isn’t as simple as that. Success isn’t something as simple as working hard and getting a better job and moving on with life.

Deep-seated racism takes hold in this country, such as how it is described in “The Risk of Greater Privileges,” by Abe Lateiner. Ms. Hen has never stopped to think that our entire society is a result of blood, the blood shed by the Native Americans, and slaves, and everyone else that built this country. In the essay, Lateiner talks about how he can’t enjoy his life because he can’t help but think how every comfort he has is the result of blood. The essay is beautifully and poetically written. It made Ms. Hen stop to look at the things in her house, and realize that almost everything she owns is made in a sweatshop. She found a few things that were not, however; and that made up for the pain a little bit.

Even though she doesn’t like owning things and living a life that is full of material possessions that are a result of blood, she realizes that she cannot change the whole world. If you stop to think how miserable everything is, you suffer, and you’ll never find peace. She realizes that you have to do small things in your own part of the planet to make things better, and not to agonize over the entire world. She believes it’s important to know about global issues, but not to let them ruin our own lives.

One of the essays, “So Tactlessly Thwarted,” by Elena Harap, made Ms. Hen stop to think that everyone has regrets in their lives, and we can’t be held accountable for what we did as children. When Ms. Harap was a teenager in Nashville Tennessee, in the 1950s, she was a member of the Nashville Youth Orchestra, an orchestra for which students had to audition in order to become a member. It was an honor to be in this orchestra. Some students said that the black students from the other, segregated high school should have an opportunity to be in the orchestra, and they were allowed to audition, but they were not permitted to be in the orchestra because the orchestra board would not stand for it. The young Elena Harap did not like this, but she went along with it anyway, even though it bothered her. She wrote about it when she was young, and went back to her writing many years later to put together a theater piece. She felt guilty that she didn’t do anything to try to change the minds of the adults who were in charge. She still questioned her actions many years later, but there was nothing she could do, since she was so young. Sometimes we have no control over circumstances in our lives. This situation was wrong, and hopefully it would never happen today, but if we look back on it, instead of being angry, people can question, what were they thinking? And they can hopefully learn from this and not let this happen again.

Ms. Hen carried this big book around for a couple of days, and she wasn’t sure what people on the train or anywhere else would think of the title. She wonders if people look at the books that other commuters read and judge their lives. Ms. Hen doesn’t think it's right to pass judgement on others by what they read. Ms. Hen liked this book, but it made her upset. But sometimes it’s good to be upset because it can propel you into action. She doesn’t know what actions she will take yet. But she’ll figure it out because she’s an industrious hen.

Ms. Hen reviews THE STORY OF THE LOST CHILD

THE STORY OF THE LOST CHILD

Elena Ferrante

Europa Editions

2015

Ms. Hen has read all the previous books in the Neapolitan novels series, and when she read the third one, she told herself she would not wait as long to read the next one as she had to read each book, but she did. She waited longer. She’s not sure why. She might have wanted to prolong the anticipation of the pleasure of reading it, or she had too many other books to read.

Ms. Hen loved the three first books. They are the story of Elena and Lila, their friendship growing up in a small town outside of Naples, in the macho middle of the twentieth century. Throughout their lives Italy and the world changes, attitudes towards women and lifestyles transform, and the friends are swept along with the tides.

THE STORY OF THE LOST CHILD is a novel about maturity, both friends are in their thirties, and they have children. At the beginning of the novel, Elena is having an affair with her lifelong love Nino, but she doesn’t realize what a philanderer he is. Ms. Hen wanted to scream at her in the last book, not to go with him, but she knew it wouldn’t make any difference. Elena is a romantic and believes in love, even when all the signs are there that the person she loves is a terrible man.

Elena and Lila become closer in this novel than they had in the previous three novels. Elena moves back to the neighborhood, directly upstairs from Lila. They take care of each other’s children. They even get pregnant at the same time.

Ms. Hen didn’t enjoy this novel as much as the other three. She thinks it might have to do with the fact that this is the end of their lives, and there doesn’t seem to be much hope left. In the other novels, there was always the fantasy of what would happen next, but in this one, there aren’t any dreams about the future, because their lives are what they are, and they probably won’t change. It’s the dreariness of the end of life that brought Ms. Hen down; she wondered, is this what we have to look forward to? She doesn’t want to lose hope, and she’ll do her best to keep it alive in her life.

There is a lot of mystery about who Elena Ferrante truly is, since her name is a pseudonym. A lot of people in Italy have an idea of who she might be, but Ms. Hen doesn’t think it matters. If someone wants to be anonymous, then that is her right. People say they know she is a woman, but that’s all they know.

Ms. Hen had an idea that Ms. Ferrante might have written these novels to create a friend she always wished she had had. The character is a writer, and it appears that the author knows Naples and the time in which the characters lived perfectly. Ms. Hen thinks that she might have created Lila because she never had a lifelong friend who was as talented as she is herself, and she created Lila as a mirror of who she could have been if she never left her neighborhood, and was never educated. The books teem with honesty, so Ms. Hen knows that there has to be some reality to the stories and the characters.

Even though Ms. Hen didn’t enjoy this novel as much as the other three, it is still worth reading to see how Elena arrives at the end of her life and how much she and the people around her have to endure. Life doesn't have to be all suffering, it is simply what we go through, says Ms. Hen. Some people might argue, but Ms. Hen will stand her ground. Nobody can argue with a hen.

Ms. Hen reviews STONES FROM THE RIVER

STONES FROM THE RIVER

Ursula Hegi

Scribner

1994

One of Ms. Hen’s hen friends gave this book to her some time ago, but she hadn’t gotten around to reading it until now. Most of the time, Ms. Hen shies away from reading lengthy novels, because they take a lot of time to read. She’s not sure why she feels this way. It might be because she likes to be able to finish a novel fast.

Even though this was a big book, Ms. Hen couldn’t put it down. It is the story of Trudi Montag, a dwarf (or Zwerg in German) who lives in Germany and is born during World War I when her father is released from the Russian front because of an injury in his leg. When Trudi is born, her mother starts to go crazy. She despairs over the fact that she gave birth to a dwarf child. Her mother drives herself to her death.

Trudi lives with her father, and her whole life she suffers from her affliction because people treat her like a freak since there’s nobody like her in the town. She has some friends, but she loses them eventually. She works in her father’s pay-library and tells stories to everyone in the town about everyone else. She learns people’s secrets and she tells them to people and she thinks it gives her power. When she meets a dwarf woman for the first time, an animal trainer named Pia, at a carnival, Trudi becomes inspired towards self-improvement, but she gets hurt by doing this.

The town, Burgdorf, has to bear the burden of World War II, and Trudi and her father hide Jews in their house, until she is questioned for making a joke about standing up for the flag at a concert. The Jews are slowly removed from the town, and the rumors about what happens in the KZs, concentration camps, horrifies the town. People keep their mouths closed because they don’t want to get sent away, or shot, which happens to some, not just the Jews.

Trudi’s family is Catholic and they go to church regularly. This made Ms. Hen wonder about religion and Catholicism in general and how it forms characters in literature. The Catholic characters Ms. Hen has read about seem to be obsessed with piousness and sin and look for ways to absolve themselves other than saying the Rosary. Ms. Hen is not Catholic and does not believe in original sin, or other kinds of Catholic sin.

STONES FROM THE RIVER reminds Ms. Hen of another book she read recently, THE BASTARD by Violette Leduc, in which the characters were also practicing Catholics at the beginning. Both books go through World War I and II and both the characters are tormented, Leduc because she is a bastard, and Trudi because she is a dwarf. Both books also take place in Europe, THE BASTARD in France, and STONES in Germany. The two books are similar, but are different because THE BASTARD is a memoir, and STONES is a novel. Some of the things in THE BASTARD are too bizarre to have been made up, and they weren’t. Some of the events in STONES are also too strange to be fiction, and Ms. Hen wonders if some of the book is taken from real-life stories that the author knew.

Some hens appeared in this novel, which made Ms. Hen happy. Trudi’s friend Max told her the story of how he lost his job as a teacher. He was building something and his colleague asked him what it was, and he said, “’This will be a chicken coop. And that I build here is thanks to the Fuhrer.’” His colleague didn’t think Max’s statement was funny, and Max was fired for that. In wartime, it wasn’t good to joke about things, even though people used that expression all the time.

Ms. Hen knows some things are no joking matter, like dwarves and war and death. Ms. Hen enjoyed this book so much that while she was reading it she had dreams about it at night while she slept. This doesn’t happen often, but it does when a book and its characters get under Ms. Hen’s skin and she can’t get them out.

Ms. Hen reviews THIS BOY'S LIFE

THIS BOY’S LIFE

Tobias Wolfe

Harper & Row

1989

Ms. Hen decided to buy this book when she saw it at a used bookstore because someone she respected told her a long time ago that it was worth reading. Ms. Hen bought the book without flipping through the pages, but she wished she had because the pages were marked in the book, and it seemed as if a person of low intelligence had owned the book previously.

Ms. Hen did not like this book. It is a memoir of a young boy, Toby Wolfe, who comes from a broken home, lives with his mother, and is separated from his brother and father. This book is very much a man-book. It’s about a bad kid: one who lies, steals, plays with guns and gets into trouble. Ms. Hen didn’t like the character because he reminded her of her younger brothers when they were kids, bad and bratty and smelly little boys who liked to cause mischief.

Ms. Hen’s brothers weren’t as close to being as bad as the young Tobias, who preferred to be called Jack Wolfe. That is possible because Toby did not have a positive father figure in his life. His mother ran from Florida to get away from an abusive boyfriend, but then ended up marrying another horrible man in Washington State. Young Toby didn’t seem to have a chance. But that doesn’t mean Ms. Hen had to like the book.

Even though the writing in the book is very clean and descriptive and vibrant, Ms. Hen did not sympathize with the character. She couldn’t. He was a bad kid, and Ms. Hen didn’t like reading about him. One of the good things about the book is that it is a very quick read, and it was over fast.

There was a brief moment reading when Ms. Hen thought THIS BOY’S LIFE could be like ON THE ROAD, but about a young boy, but Toby never ran away. He tried, but he didn’t because he was foolish with his money. There were pieces of this book that reminded Ms. Hen of THE LIAR’S CLUB, but she doesn’t think THIS BOY’S LIFE is nearly as good or interesting as that book.

Ms. Hen would recommend this book to anyone who has every been a bratty young boy, or anyone who lived their youth in the 50s and 60s, but as a woman who did not live during this time, Ms. Hen was not inspired by THIS BOY’S LIFE. She’s glad she never lived during this era, and never had to directly deal with a young child with the proclivities of this boy.